Pattern to Place2022
Material: Bristol, Wood Dowel Rod, White Glue
Software: Illustator, Procreate
The project explores the transformation of 2D patterns into 3D spatial forms, investigating how visual motifs can inform spatial design.
Inspired by patterns from diverse cultural backgrounds, the design process involved selecting, manipulating, and emphasizing key elements to generate unique iterations.
The goal is to identify “rules” from the pattern that relates to systematic
decisions regarding 3D projection. The final model will be 10”×10”×10”
and represent a small pavilion that is 10’×10’×10’ with entry, path, focal,
view and exit.
Final Pattern
The most intriguing aspects of this pattern are the overlaying lines and the spatial relationship between the main circle as focal point, and three smaller circles of varying scales. My exploration began by analyzing these traits and translating them into three-dimensional iterations.
First Iteration: Focused on the relationship between volumes and circulation, using constant-height walls to emphasize the linear elements of the composition.
Second Iteration:
It explores the intersection of lines and volumetric changes, emphasizing spatial depth through varying heights and sloped volumes.
Third Iteration: Divided the composition into multiple smaller parts, experimenting with height, proportion, and their relationships to one another.
Final
Through the process of iteration and relief modeling, my focus initially centered on the existing lines and forms within the pattern. However, shifting my attention to negative spaces led to an unexpected and compelling outcome.
While the relief models were originally developed in a landscape-oriented approach without a defined scale, they naturally guided me toward the final design. The act of physically making models deepened my connection to the space, allowing me to refine and shape my ideas more intuitively.