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Hayes 210 Student Space 10 Weeks,2024

Related link:  Behance
The student designer team maintained a project website documenting the design process, which you can explore here




During my 2024 summer internship with the OSU Department of Design, I worked as a student designer on the redesign of Hayes Hall 210, collaborating closely with faculty and peers to translate project goals into a reconfigurable multi-use space with purposeful, custom-built furniture and fixtures, well-used by design students and employees for study, social gathering, events, and more.

Key responsibilities:
•Developing vision plans and strategies presented to the advisory committee
•Iterating floor plans and creating physical models to explore spatial concepts
•Modeling designs in Revit to refine and visualize ideas in detail
•Collaborating with student designers and faculty on furniture and equipment development, as well as supporting fabrication efforts in the Department of Design


Preliminary Concept Proposal
Roaming

The concept envisions a fragmented, dynamic student-shared space that encourages continuous discovery and reflection. Inspired by a Chinese garden, it offers adaptable spatial sequences that balance intimacy and openness, supporting both stillness and movement while fostering engagement and active thinking.
If someone visits a Chinese garden, after entering and before wandering too far, should pause, and by glimpses transcend space and volume and resolve the whole into one flat surface, the person would thrill to realize how closely the garden resembles a painting. Before the very eyes stands a landscape, not drawn with the painter’s brush, but a pictorial composition of arbor, brook and weeping willows unmistakably recalling that familiar pattern which one associate with a Chinese painting the same crooked into a grotto.
The entrance is designed to lead visitors gradually, avoiding a straight line. Unlike the expansive panorama of Versailles, which stretches for miles, this approach encourages a slower pace to fully appreciate the surrounding scenery. Each turn offers a new perspective, inviting a thoughtful and engaging experience as visitors progress through the garden. This design philosophy emphasizes a journey of discovery, allowing for a deeper connection with the space.



Hide does not mean completely obscuring something, but rather not showing everything at once. In this sense, hiding enhances the eventual revealing. If something is hidden too deeply and goes unnoticed, it loses its purpose. Hiding inherently carries a sense of imply. Through the space planning and directional guidance of space, it can subtly lead and hint at what’s to come.



For example, in gardens, a corridor or pathway—narrow and long in form—often has a strong guiding effect. It always implies to people that following its direction will lead to a discovery, instilling a sense of anticipation. By skillfully utilizing this emotion, the pathway can unobtrusively guide people to a specific destination—the scenic spot.

Activities in Chinese Garden
A small world within the big universe

  • Playing
  • Rest 
  • Meditating
  • Enjoying nature: flowers, wind, sunlight, fish 
  • Playing instruments & music 



  • Composing poems
  • Discussing & chatting  
  • Dining & tasting tea
  • Painting



Wherever you stand in the garden, you will have fresh visual surprises!

Translating spirit into Space 
中国的园林,虽无林木亦可成园--- 童寯
A Chinese garden—even without trees—can still be a garden.



Discovery & Engagement
Just as gardens use rockeries to create visual interest and define spaces, these varying heights and sculptural platforms allow displaying works and other functions.

In the limited space, the use of rich changes in the layers can greatly enhance the sense of depth of the scene.

The curtains help creating pathways that guide people through the space.


Intimacy & Openness
Built-in structures serve as a modern translation of garden pavilions, zoning the space and creating intimacy.

The semi-transparent partitions maintain visual connectivity while serving as space dividers, much like how gardens use plants such as bamboo to create barriers.

Wooden partitions serve as storage units with openings that invite people into the open areas.


Unique spatial sequences

The unique spatial sequences in a garden, where each turn reveals new vistas, inspire the use of the curtain system. By using curtains, we can recreate this dynamic experience, allowing the space to transform and reveal different environments, much like a garden's evolving scenery.


This element can either open up the entire space, fostering a sense of unity, or divide it into predefined programmatic areas such as work areas and lounges.

By using curtains, spaces can be continuously adapted or re-associated to meet different needs and activities.

This structuring element enables a seamless transformation, making it possible to alternate between open, collaborative zones and more private, focused areas, thereby enhancing the functionality and versatility of the space.

Appreciate the surrounding

In this space, appreciating the surroundings is integral to the experience.
Windows provide a view of the expansive landscape outside, creating a connection between the interior environment and the larger world. This visual link allows users to feel connected to the broader natural context, enhancing their sense of place and tranquility within the smaller, curated space. The interplay between the interior and exterior scenery enriches the overall atmosphere, encouraging reflection and a deeper appreciation of both the immediate and distant surroundings.  


Bringing the concepts to life in Room 210

The vision for student-shared space is a fragmented and dynamic environment that adapts to various needs through a flexible curtain system and built-in structures. This design allows users to choose their workspace based on activity, the number of people, light, and privacy needs. This multifaceted environment encourages users to roam, discover, and experience the space in their own way, making it a truly engaging and inspiring place for students.

Iteration Configurations 



With Advisory Council and student feedback, team members continued to refine and build furniture pieces while I led the revision of the Hayes 210 spatial layout to reflect shelving, tables, chairs, and built-in stage. 


The revised layout afforded four key configurations to match four envisioned space usages (below).

Default: a mix of bar-height tables overlooking the Oval, large project tables arranged in a group, four clusters of single-seat desks, three two-user tables inside the "stage" area, and a couch facing a display.
Open Group Meetings: closed stage curtain for two-use table privacy and noise isolation, group work tables and 4-desk clusters arranged for inter-group visibility.
Movie Night: closed stage curtain for two-use table privacy and noise isolation, single-person desks and additional chairs arranged around couch facing display.
Event Mode: tables stacked and removed from stage, seating arranged facing stage area.

Ceiling
Ceiling features were envisioned (above) to add "coziness" to the space and hint to visitors where seats and tables might fit into different room configuration options. 

For a detailed look at the ceiling installation, see the dedicated project here.

Iteration 1
Iteration 2

Photo credit Zach Sanderson
Photo credit Zach Sanderson
Photo credit Zach Sanderson
Photo credit Zach Sanderson


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