Software: Illustrator Material: 1/8 Inch Balsa Square Dowels, Super Glue, Bristol,
White Tissue Paper, Foam Board, Basswood Sheet
Her time in Japan (1940-1946) profoundly influenced her approach, exposing her to traditional craftsmanship, modularity, and the integration of architecture with nature. This experience reinforced her belief that design should be both functional and emotionally resonant, blending industrial production with artisanal techniques.
Perriand’s philosophy centered on accessibility, adaptability, and the harmony between humans and their environment, principles that shaped her furniture and interior designs, including the Doron Hotel armchair, which embodies her pursuit of simplicity, material honesty, and comfort in modern living.
Instead of designing a space that merely houses the chair, I envisioned a concept where the chair itself becomes the space, allowing the architecture to reflect Perriand’s story and design ideology.
To achieve this, I incorporated a wooden grid system around the chair, creating dynamic light effects and textures as sunlight filters through. To maintain openness and fluid circulation, I placed the storage room at the center of the space.
The process of researching, model-making, and iterating gave me a deeper appreciation for how design concepts translate into tangible experiences.